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Oh,
What a Blow That Phantom Gave Me! by Edmund Carpenter
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IDEAS
IN THE PLAYPEN
W.
H. R. Rivers reports that in small groups in Polynesia & Melanesia,
decisions are often arrived at & acted upon, though never formulated
by anybody. The Western observer, listening to the proceedings of a native
council, realizes after a while that the original topic in dispute has
changed. Inquiring when they are going to decide the question in which
he is interested, he is told "that it had already been decided and
that they had passed on to other business. The decision had been made
with none of the processes by which our councils or committees decide
disputed points. The members of the council have become aware at a certain
point that they are in agreement, and it was not necessary to bring the
agreement explicitly to notice." Separation
of oratory from decision-making isn't unique to Melanesians. People long
familiar with Westminster democracy accept that there is a large element
of play in it. Democracy,
as we know it, developed under literacy. One essential element of literacy
is separation of thought from emotion & behavior. Speech
everywhere combines phonemes (sound units), tonemes (tonal units), and
kines (body units). Some linguists prefer to study phonemes alone, but
tonemes (which favor the expression of emotions) and kines (which are
actual body movements) remain integral parts of speech. They are especially
important in nonliterate languages. Ultimately, it's impossible to separate
word from thought, thought from emotion, emotion from behavior. In
oral societies, perception or cognition is associated with, or immediately
followed by, an "emotion." Every idea is not only a state of
knowing but a tendency toward movement: "To see her is to love her";
"I shuddered at the thought." Emotion
effects both heart & lungs. "Every emotion quickens the action
of the heart and with it the respiration," observed Darwin. "When
a fearful object is before us we pant and cannot deeply inhale."
Emotion
tends to beget bodily motion. In Homer, the manliest warriors wept openly,
beat their chests, tore their hair, and when this was sung about in the
Athenian market-place, it's probable that listeners joined in the expression
of these emotions. Hearing
these accounts meant experiencing them. But one can read them without
emotion. Any newspaper front page is a mass of tragedies, yet we read
unmoved. We could never act or dance such tragedies without emotion. Nor
sing them. Nor express them as poetry. But reading is different. Silent
reading is thinking deserted by emotion. It leads to a high degree of
separation of mental concepts from the plurality of the concrete. Perhaps
all people find it necessary to separate, to some extent, group decision-making
from oratory & emotion. New Guinea administrators struggle with this
problem when they seek to dilute the tone of political criticism. In principle,
they offer opposition parties the right to be heard on radio; in practice,
they often present that criticism as faulty, something best corrected
right then on the air. One
appreciates their dilemma. The very medium of radio magnifies & intensifies
political criticism. When such criticism reaches oral peoples orally,
emotion & action are easily aroused, no matter how remote, or imperfectly
understood, the issues. Democracy
takes many forms. But Western democracy is deeply rooted in literacy &
not easily transposed into other media. |
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Pages
174-176
Oh, What a Blow That Phantom Gave Me! by Edmund Carpenter Holt, Rinehart and Winston - New York, Chicago, San Francisco Copyright 1972, 1973 by Edmund Carpenter translated to hypermedia and edited by Michael Wesch 2002 |