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CULTURAL
UNEMPLOYMENT
The
New York Times (August 15, 1971) reports that Indonesia's musicians
are slowly finding themselves out of work. The traditional gamelan music
can still be heard at night all over central Java, but the chances are
good that the music comes from tape recorders. Orchestras have decreased
in number & instruments gather dust. For
about $13, an orchestra of 12 can be hired for a performance that may
last eight hours. Included is the cost of transporting more than a ton
of bulky instruments by horse or oxcart. For
less than $8, young men on motorcycles or in a borrowed truck speed down
with loudspeakers, tape recorder & tapes of the best gamelan orchestras
in Indonesia. They can be ready for action in minutes. Most of the music
they offer is traditional, but not all: the recorded music of John Lennon
was played at an all-night celebration for the birth of a child. To
many villagers, especially the young, the new, fancy electronic equipment
is more exciting than a group of old men with ancient instruments. Not
many youths are learning to play & carry on the art form. Aside
from the merits of a live performance & a performer's art, other questions
arise. What are the old men going to do with their time? What other activities
will give them equal satisfaction? In
New Guinea, such questions are serious, for already economic unemployment
is a major problem & to this is now being added cultural unemployment.
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Pages
168-169
Oh, What a Blow That Phantom Gave Me! by Edmund Carpenter Holt, Rinehart and Winston - New York, Chicago, San Francisco Copyright 1972, 1973 by Edmund Carpenter |
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Translated
to hypermedia and edited by Michael Wesch
2002
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